I’m drawn to works that were given a lot of attention to details. The devil is in the details. It’s in the color composition or orientation of the work or the clever use of contrasting materials that look or feel very seamless.

It’s like a visual language that can be read through the materials, where idea, material, and concept come together—there’s fluidity between object and idea and I think the artist has to be very attentive to the materials and the way materials are composed in artwork to make the idea come forward.